RUNDHOLZ MAINLINE JACKET

RUNDHOLZ MAINLINE JACKET

Inspired by a modern streetwear sensibility, the RUNDHOLZ MAINLINE Spring/Summer ’26 collection reimagines the house's sculptural codes through skater-style silhouettes, bold graffiti prints and a renewed focus on denim. Hand-painted motifs and exaggerated shapes meet an elevated palette of primary brights - Ketchup, Pepper, Electric, Ice - balanced by soft Marshmallow and Paper neutrals.

A longline jacket from RUNDHOLZ MAINLINE, crafted from lightweight, silk-finish Cupro that gives the collection’s colours an ethereal, fluid quality. Cut to a relaxed, open-front silhouette, the style features a soft collar, a single-button fastening and oversized patch pockets. At the back, a knotted hem detail introduces gentle shape and movement, allowing the fabric to drape effortlessly while adding a subtle point of interest.

Made in China.

KEY DETAILS :

• Longline Style
• Lightweight Cupro Fabric
• Singular Button Fastening
• Reverse Tie Detail at Hemline

PRODUCT CODE : 1471103

COLOUR : MARSHMALLOW

COMPOSITION : 100% Cupro

CARE GUIDE : Machine Wash At 30 Degrees / Iron On Low Heat / Do Not Bleach / Do Not Tumble Dry / Do Not Dry Clean

SIZE GUIDE : Liesa is 5’9”, a UK 10 and wears size EXTRA SMALL.

MEASUREMENTS : 

EDITOR'S NOTE :

A standout group for Yas at House of Valerie, the ethereal Cupro pieces offer a beautiful counterpoint to the collection’s more modern, androgynous streetwear silhouettes. The fluid fabric and soft, cloud-like colour treatment introduce a feminine ease that offsets the season’s bolder graphic elements with effortless sophistication.

This jacket is particularly striking in motion, the lightweight Cupro drapes beautifully through the body, while the knotted detail at the back hem adds subtle shape and movement. We recommend styling it with the coordinating Cupro vest from MAINLINE for a relaxed, layered look that feels considered yet easy. Worn together or as a standalone piece, it’s an elegant way to soften the SS26 palette while staying true to RUNDHOLZ’s directional aesthetic.